"Driscoll's newest work invokes a fragile, yet inviolable web of relationships. 'Small World' consists of a cast iron bed-like frame with moveable appendages. Infinitely manipulable, the wheels roll and the elements can be placed in a variety of patterns. In spite of an endless compendium of configurations, there is an inextricable relationship between the frame, the external elements, and the almost inappreciable filament that contains them."

- Excerpt from "The Proportions of Paradox" by Patricia C. Phillips, Sculpture Magazine, November, 2000