| 2009 |
Fredereike Taylor Gallery, New York, NY
SmackMellon, Brooklyn, NY |
| 2007 |
Hunter Gatherer- Humanities Gallery, Long Island University Brooklyn Campus
Chogoyu Shimbon- Hiroshima, Japan |
2005 |
The Loophole of Retreat – Tremaine Gallery, The Hotchkiss School, Lakeville, CT
Filament / Firmament – Cambridge Arts Council, Cambridge, MA |
2002 |
New Drawings – Roger Williams University, School of Architecture, Art and Historic |
2001 |
From Ear to There: Sculptures, Drawings, Books – University of Massachusetts, Boston, MA
TurnScope – collaboration with Nick Tobier, Green Street Gallery, Boston, MA |
2000 |
The Loophole of Retreat – African American Museum, Fresno, CA |
1999 |
The Loophole of Retreat – The Hyde Collection, Glens Falls, NY |
1998 |
Ahab's Wife: Drawings, Models, Sculptures – Snug Harbor Cultural Center, Staten Island, NY |
1997 |
As Above, So Below, selections – Glyptotek, Munich, Germany
Ahab's Wife: Models and Drawings – University of Michigan Museum of Art, Ann Arbor, MI |
1996 |
Passionate Attitudes – New Langton Arts, San Francisco, CA |
1995 |
Passionate Attitudes, Migration, The Loophole of Retreat, and collaborative work From There On
Up to Here and Now with Mamie Hughley, Annie Parks, Annie Heard, Pearl Walker –
multiple locations at Univ. of Virginia, Charlottesville, VA
Passionate Attitudes – Threadwaxing Space, New York, NY |
1994-5 |
Passionate Attitudes, Part 1 – installation at abandoned windows of G. Fox dept. store and Real Art Ways,
Hartford, CT |
1993 |
Magnetic Works and Migration – Huntington Gallery, Massachusetts College of Art, Boston, MA |
1992 |
Migration and The Loophole of Retreat – Contemporary Arts Center, Cincinnati, OH |
| 1991-2 |
The Loophole of Retreat, installation – Whitney Museum of American Art at Philip Morris, New York, NY |
| 1990 |
Damon Brandt Gallery, New York, NY |
| 1989 |
Tim Hill Gallery, Birmingham, MI |
| 1988 |
Damon Brandt Gallery, New York, NY |
| 1987 |
Stavaridis Gallery, Boston, MA |
| 1986 |
Damon Brandt Gallery, New York, NY
Paulo Salvador Gallery, New York, NY |
| 1985 |
Hudson D. Walker Gallery, Provincetown, MA |
| 1984 |
Hudson D. Walker Gallery, Provincetown, MA |
| 2008 |
"Mercurial and Capricious Systems" curated by Joan Giroux at Columbia College, Chicago
"Its Getting Hot in Here", curated by Shana Dumont and Leonie Bradbury for Monserrat College
“Mend”, Proteus Gowanus Gallery, Brooklyn, NY
“Thoreau Reconsidered”, Concord Art Association, curated by Jennifer McGregor
“The Persistence of Line” Kentler International Drawing Space, Brooklyn, NY, curated by Charlotta Kotik |
| 2007 |
Revenant",curated by Zero Higashida for Nippon Ginko,Hiroshima, Japan
“Phantom Limb” Wave Hill, exhibition of a work based on "Civil Disobedience" by Thoreau |
2006
|
Legacies: Contemporary Artists Reflect in Slavery- New York Historical Society, curated by Lonery Sims
The Loophole of Retreat, Black History Month, Macy's Department Store, New York
|
2005 |
Camp with The Loophole of Retreat – Museum London, London, Ontario, Canada
Trunk Show – The Women’s Library, London, England |
2004 |
Trunk Show – King House, Boyle Co Roscommon, Ireland and Sirius Arts Centre, Cork, Ireland
Motoazabu Gallery, Tokyo, Japan
Virginia Lynch Gallery, Tiverton, RI
A Void – part of The Big Nothing, Institute of Contemporary Art, Philadelphia, PA, curator Gerard Brown,
collaborative net video Parallax with Jane Marsching at InLiquid.com |
2003 |
CustomFit – Smack Mellon Studios, Brooklyn, NY
American Academy of Arts and Letters Invitational Exhibition, New York, NY |
2002 |
Archipelago – Museum of Contemporary Art, Denver, CO
Virginia Lynch Gallery, Tiverton, RI |
2001 |
Annual Drawing Exhibition – Boston Center for the Arts, Boston, MA, curator Bill Arning
The Drawing Project – Bernard Toale Gallery, Boston, MA |
2000 |
Forms in Motion – Henson International Festival of Puppet Theater, The Cooper Union, New York, NY |
1999 |
Ellen Driscoll, Lesley Dill, Ambreen Butt – DNA Gallery, Provincetown, MA
Marilyn Monroe X Times – Emily Peterson Gallery, New York, NY
Private Eye – Douglass College Library, Rutgers University, NJ, curator Amy Sillman
Recent Projects: Ellen Driscoll and Lesley Dill – Bernard Toale Gallery, Boston, MA |
1998 |
Paraphotography – Maier Museum of Art, Lynchburg, VA, curator Charles Hagen |
1997 |
Spaces and Forms – Maryland Institute College of Art, Rhinehart School of Sculpture, Baltimore, MD
Lifelines – Long Island University, C.W. Post Campus, Brookville, NY, curator Margie Neuhaus |
1996 |
Infernal Inception: Artists Work in Glass – Boston Center for the Arts, Boston, MA
Home – Lehman College Art Gallery, Bronx, NY
Chesterwood Anniversary Exhibition – Chesterwood Museum, Stockbridge, MA, curator Lisa Dennison |
1995 |
From There On Up to Here and Now – with “Equal Rights and Justice,” National African American Museum
project, Smithsonian Institution, Washington, DC
In Three Dimensions: Women Sculptors of the 90s – Snug Harbor Cultural Center, Staten Island, NY,
curator Charlotte Streifer Rubinstein
New Forms from the Fine Arts Work Center – Cape Museum of Fine Art, Dennis, MA, curator Ann Wilson
Lloyd |
1994 |
From There On Up to Here and Now, collaborative installation with Mamie Hughley, Pearl Walker, Annie
Heard, Annie Parks – with "Equal Rights and Justice," High Museum of Art, Atlanta, GA
Raft – Threadwaxing Space, New York, NY, project room installation with Nene Humphrey
Art en Route: MTA/Arts for Transit – Paine Webber Gallery, New York, and Museums at Stony Brook, NY
Four Women Sculptors – Cherrystone Gallery, Wellfleet, MA, curator Paul Bowen |
| 1993 |
Drawings from 55 Ferris Street – Jessica Berwind Gallery, Philadelphia, PA and Wynn Kramarsky Gallery,
New York, NY
55 Ferris Street, Brooklyn, NY, curator Fredereicke Taylor
Summer Exhibition, Socrates Sculpture Park, Long Island City, NY, curator Eve Sussman
Grounds for Sculpture – Johnson Atelier Sculpture Park, Mercerville, NJ
Five Sculptors – Rosa Esman Gallery, New York, NY |
| 1992 |
Opening Project Exhibition, European Ceramics Work Center, s’-Hertogenbosch, The Netherlands
Suzanne Biederberg Gallery, Amsterdam, The Netherlands
Ellen Driscoll / Donna Byars – University of Southern Maine, Gorham, ME |
| 1991 |
Alchemy: Ellen Driscoll, Donald Lipski, Suzanne Bocanegra – Fayerweather Gallery, University of Virginia,
Charlottesville, VA
Two Objects – Rosa Esman Gallery, NY
Insight on Site and The Loophole of Retreat – installation at The Rose Art Museum, Brandeis University,
Waltham, MA
Collection Notes – The Rose Art Museum, Brandeis University, Waltham, MA |
| 1990 |
Means to Ends: Process and its Traces in Recent Sculpture – Rockland Center for the Arts, West Nyack, NY,
curator Cynthia Nadleman
The New School Collects: Recent Acquisitions – The New School for Social Research, New York, NY
Group Show – Eve Mannes Gallery, Atlanta, GA
Wood Transformed – McMullen Museum of Art, Boston College, Boston, MA
Pour une Foundation Européene de Recherche sur le Sida, Drouot – Richelieu, Paris – catalog
Grounded: Sculpture on the Floor – University of Michigan Museum of Art, Ann Arbor, MI |
| 1989 |
Butterfield and Butterfield Warehouse, San Francisco, CA
Art Against AIDS – American Foundation for AIDS Research, San Francisco, CA
Totem – Addison Gallery of American Art, Philips Academy, Andover, MA |
| 1988 |
Sculpture ’89 – University Art Gallery, State University of New York, Albany, NY
Ellen Driscoll, Robert Lobe, Ursula Von Rydingsvard – Damon Brandt Gallery, New York, NY
Ancient Explorations – Met Life Gallery, New York, NY
Kindred Spirits: Metaphysical Insights of Seven Sculptors – George Ciscle Gallery, Baltimore, MD and Trabia-
MacAfee Gallery, New York, NY
Elements – Stavaridis Gallery, Boston, MA
The Nature of Things – Cydney Payton Gallery, Denver, CO
In the Making – The Sculpture Center, New York, NY
Nomadic Visions – Southeastern Massachusetts University, North Dartmouth, MA
Innovations in Sculpture – Aldrich Museum of Contemporary Art, Ridgefield, CT
Strike; Nature, Abstraction, Aggression – Valencia Community College, Orlando, FL
The 1980s: A New Generation, American Painters and Sculptors – Metropolitan Museum of Art, New York, NY |
| 1987 |
PS1 Fifth Annual National and International Studio Artists Program – Clocktower Gallery, New York, NY
Natural Reflections: Inside/Outside – The Sculpture Center, New York, NY
Moody Gallery, Houston, TX
The Prevalence of Myth – Organization of Independent Artists, Bronx Council on the Arts, Bronx, NY
Hill Gallery, Birmingham, MI
Pursuing Shape and Form – Thomas Barry Arts, Minneapolis, MN
Alternative Supports: Contemporary Sculpture on The Wall – Brown University, Providence, RI
The Tree Show – Massachusetts College of Art, Boston, MA |
| 1986 |
A Contemporary View of Nature – Aldrich Museum of Contemporary Art, Ridgefield, CT
Stavaridis Gallery, Boston, MA
Paulo Salvador Gallery, New York, NY |
| 1985 |
Paulo Salvador Gallery, New York, NY
Invitational – Stux Gallery, Boston, MA
Southern Exposure – Brockton Art Museum, Brockton, MA
Natural History – Art in General, New York, NY |
| 1984 |
Fusion – Paulo Salvador, New York, NY
The Ways of Wood – The Sculpture Center, New York, NY
Ten Downtown – La Galerie Seconde Classe, New York, NY |
| 1983 |
Parsons School of Design, New York, NY |
| 1981 |
5+5 – Mayor’s Office of Cultural Affairs, City Gallery, New York, NY |
| 1980 |
Second Annual Exhibition – Painting Space 122, New York, NY |
| 1976 |
Invitational – Boston Visual Artists Union, Boston, MA |
| 1975 |
Jorgensen Gallery, University of Connecticut, Storrs, CT
Fifth Annual Boston City Hall Exhibition, Boston, MA |
| 2009 |
Filament / Firmament – for the Cambridge Public Library in collaboration with the Women's Commission |
| 2008 |
Wingspun International Arrivals, Raleigh-Durham International Airport, Raleigh, NC
Lumina – LED animation sign, outdoor façade, MassArt, Boston, MA |
2006 |
Pro patria Mori - 84' long gate for Liberty Memorial World War 1 Museum, Kansas City, MO
International Arrivals, Raleigh-Durham International Airport, Raleigh, NC
Lumina – LED signs along Huntington Avenue, Boston, MA
The View From Here - 240' sandblasted mirrored wall for Forest Park MetroLink Station, St. Louis, Missouri
|
2004 |
Aqueous Humour – kinetic sculpture for South Boston Maritime Park, South Boston, MA, collaboration with
Halvorson Design Partnership (landscape architects) and Machado and Silvetti Associates (architects)
|
2003 |
Filament/Firmament for the Cambridge Public Library, Cambridge, MA, Percent for Public Art Program
Catching the Drift – women’s restroom renovation, Brown Fine Arts Center, Smith College, Northampton,
MA, collaboration with James Polshek/Polshek Partnership Architects |
2000 |
Meanderlink – airborne project over Frederick Law Olmsted’s Emerald Necklace Park, Boston, MA, Vita
Brevis Program, Institute of Contemporary Art
Circuitstream – Bank of America, Technology Headquarters, Charlotte, NC |
1999 |
Longfellow Elementary School, Cambridge Arts Council, Percent for Public Art Program |
1997-8 |
Mum's the Word – temporary public work for City of Boston, collaboration with Spaulding Rehabilitation
Hospital Aphasia Community Group, Boston, MA, Fund for the Arts commission |
1995 |
Project FREE, Dorchester, MA – collaborative design of park benches with adolescents, Urban Arts |
1993-9 |
As Above, So Below – design and execution of artwork for new tunnel entrances at 45th, 47th, and 48th
streets, Grand Central Terminal North, MTA, Percent for Public Art Program, collaboration with Beyer, Blinder, Belle (architects) |
1991 |
Robert Orton, La Jolla, CA
|
1990 |
Saul and Ellyn Dennison, Bernardsville, NJ |
1988 |
Steven and Nancy Oliver, Oliver Ranch, Geyserville, CA |
| 1986 |
Mid-Atlantic States Arts Consortium, Virginia Center for the Creative Arts, Sweet Briar, VA |
1985 |
Operation GreenThumb – for 6th Street and Avenue B, Community Garden Division of NY Parks and
Recreation |
Public and Private Collections |
|
|
Addison Gallery of American Art, Phillips Academy
|
|
Bayly Art Museum, University of Virginia |
|
The Boston Public Library |
|
The Detroit Institute of Art |
|
Hood Museum of Art, Dartmouth College |
|
Massachusetts Institute of Technology |
|
Metropolitan Museum of Art |
|
The New School for Social Research, New York |
|
The Rose Art Museum of Brandeis University |
|
University of Michigan Museum of Art |
|
Whitney Museum of American Art |
| |
Saul and Ellyn Dennison |
| |
Martin Margolis |
|
Steven and Nancy Oliver |
| 2009 |
Sirius Art Centre Residency, Cork, Ireland
LEF Foundation grant for FastForwardFossil |
| 2008 |
MacDowell Colony Residency
New England Foundation for the Arts grant for Filament/Firmament
Blue Mountain Center residency |
| 2007 |
International Association of Art Critics,New England Chapter Best Public Project in Public Space, Second Place
Award for Filament/Firmament, Cambridge Public Library
Pro Patria Mori chosen as one of the top public projects of 2006 by Public Art Network Year in Review
MacDowell Colony Residency, Henry Eastwood fellowship
Bogliasco Foundation Residency |
2005 |
LEF Grant – for Lumina
Boston Society of Architects Award – for South Boston Maritime Park
Boston Society of Landscape Architects Award – for South Boston Maritime Park |
2004 |
New England Foundation for the Arts – for Lumina
Browne Fund – for Lumina |
2002 |
Artists Resources Trust, Berkshire Community Foundation |
2001 |
Rockefeller Foundation, Bellagio, Italy – Residency
Banff Centre for the Arts, Banff, Canada – Residency |
1999 |
Pilchuk Glass School, Stanwood, WA – Artist in Residence
Massachusetts Cultural Council – Sculpture Fellowship |
1998-9 |
Anonymous Was a Woman Foundation – Fellowship |
1997 |
Institute for the Humanities, University of Michigan – Visiting Fellow
Pilchuk Glass School, Stanwood, WA – Artist in Residence
Henson Foundation – Development Grant for Ahab's Wife |
1995 |
Dancing in the Streets – Research and Development Grant for Ahab's Wife |
1994 |
EEC – six-week Project Residency, Les Arques, France, collaboration with European artists, architects,
designers Wesleyan University – Distinguished Alumnae Award |
1992 |
LEF Grant – for development of Memorial Grove Project at Jacob’s Pillow Dance Festival, Becket, MA,
collaboration with Gary Hildebrand (landscape architect) |
1991-2 |
European Ceramics Work Center Opening Project – Residency, The Netherlands |
| 1990-1 |
Radcliffe College – Bunting Fellowship
Kittredge Education Fund, Portland, Maine |
| 1989 |
New York Foundation for the Arts – Sculpture Fellowship |
| 1987 |
John Simon Guggenheim Memorial Foundation – Guggenheim Fellowship
Solomon R. Guggenheim Museum, New York – Chesterwood Award |
| 1986 |
National Endowment for the Arts – Sculpture Fellowship |
| 1986-8 |
P.S.1 Institute for Art and Urban Resources – Studio Residency |
| 1985 |
New York Foundation for the Arts – Sculpture Fellowship
Institute for Contemporary Art, Boston, MA – Engelhard Award |
| 1984 |
National Endowment for the Arts – Sculpture Fellowship |
| 1983-5 |
Fine Arts Work Center, Provincetown, MA – Visual Arts Fellowship, fourteen-month Studio Residency |
| 1983 |
The MacDowell Colony, Peterborough, NH – seven-week Residency |
1980 |
MFA Sculpture – Columbia University, New York, NY |
1974 |
BA Fine Arts – Wesleyan University, Middletown, CT |
1998-Present |
Professor, Sculpture — Rhode Island School of Design, Providence, RI |
1992-8 |
Associate Professor, Sculpture — Rhode Island School of Design, Providence, RI |
1992 |
Faculty, Sculpture — Rhode Island School of Design, Providence, RI
Adjunct Faculty, Sculpture — School of the Museum of Fine Arts, Boston, MA |
1991-2 |
Adjunct Faculty, Sculpture — Art New England Summer Workshops, Bennington, VT
Visiting Lecturer, Sculpture — Princeton University, Princeton, NJ |
1990 |
Adjunct Faculty, Sculpture — Anderson Ranch, Snowmass, CO |
1989 |
Adjunct Faculty, Sculpture — Rhode Island School of Design, Providence, RI
Visiting Artist, Sculpture — School of the Museum of Fine Arts, Boston, MA |
1988 |
Visiting Artist — University of North Carolina, Chapel Hill, NC |
1985-9 |
Director, France Pre-College Summer Program — Parsons School of Design, Paris, France |
1987 |
Visiting Lecturer, Sculpture — State University of New York at Purchase, Purchase, NY |
1980-3 |
Assistant Director of Admissions — Parsons School of Design, New York, NY |
Visiting Artists: Critiques, Panels, Lectures |
|
1986 |
Bard College, Annandale-on-Hudson, NY
Bennington College, Bennington, VT
Boston College, Chestnut Hill, MA
Boston Public Library, Boston, MA
Brandeis University, Waltham, MA
Brigham Young University, Provo, UT
Bronx Museum of the Arts, Bronx, NY – Artists in the Marketplace Program
Brown University, Providence, RI
Colab, Barpalore, India
College Art Association (CAA), New York, NY, 2000 conference
Cranbrook Academy, Bloomfield Hills, MI
C.W. Post Campus, Long Island University, Brookville, NY
The Detroit Institute of Arts, Detroit, MI
Drew University, Madison, NJ
Fine Arts Work Center, Provincetown, MA
Hartford Art School, West Hartford, CT
Harvard University, Cambridge, MA – Memorialization in Public Art
Historic Preservation Panel, Cambridge, MA
International Sculpture Conference, 1996 and 1998
Maine College of Art, Portland, ME
Massachusetts College of Art, Boston, MA
Middlebury College, Middlebury, VT
Montclair State University, Montclair, NJ
Mount Allison University, Sackville, New Brunswick, Canada
Museum of Contemporary Art/Denver, Denver, CO
Nehru University delhi, India
Parsons School of Design, New York, NY
Pennsylvania Academy of Fine Arts, Philadelphia, PA
Pennsylvania State University, Lewistown, PA
Princeton University, Princeton, NJ
Rhode Island School of Design, Providence, RI
School of the Museum of Fine Arts, Boston, MA
School of Visual Arts, New York, NY
Skidmore College, Saratoga Springs, NY
Smith College, Northampton, MA
Spelman College, Atlanta, GA – Artists as Scholars panel with Arturo Lindsey
State University of New York at Albany, Albany, NY
State University of New York at New Paltz, New Paltz, NY
State University of New York at Purchase, Purchase, NY
Syracuse University, Syracuse, NY
University of California at Davis, Davis, CA
University of Massachusetts Amherst, Amherst, MA
University of North Carolina at Greensboro, Greensboro, NC
University of Southern Maine, Portland, ME
University of Utah, Salt Lake City, UT
University of Virginia, Charlottesville, VA
Vermont Studio Center, Johnson, VT
Virginia Commonwealth University, Richmond, VA
Visual Arts Leitrim, Leitrim, Ireland
Wellesley College, Wellesley, MA
Whitney Museum of American Art, New York, NY
|
| 2008 |
Capricious and Mercurial Systems, catalogue by Joan Giroux and Whitney Huber Lazar
It’s Getting Hot in Here, catalogue by Leonie Bradbury and Shana Dumont |
| 2007 |
Karen Frostig, "Blaze," a compilation of texts from the Women's Caucus for art |
| 2006 |
Karen Frostig, "Ellen Driscoll: Transforming Transitory Space," Art New England, February/March
Holland Cotter, "Emancipation Remains a Work in Progress," review, The New York Times, June 20
"On the Way" edited by Sandra Bloodworth, William Ayres for the MTA Arts for Transit program
“Artist’s Resource Trust: The First Ten Years”, catalogue
Laurel Graeber, “Family Fare,” The New York Times, September 8
Erica Adams, "Thinking Through Glass," This Side Up! winter 2006 |
2005 |
Archis, January
Marty Carlock, “Aqueous Humour” review, Sculpture, February
Trunk Show at King House review, Circa Art Magazine, spring, issue 111 |
2004 |
Monica Geran, “Awash in Artistry,” Interior Design, January
Marty Carlock, South Boston Maritime Park article, Landscape Architecture, October
Trunk Show review, Irish Times, December 11 |
2003 |
Jill Conner, “CustomFit” review, Contemporary, issue 52
Harvard Review, spring
John MacMillan, “Flush with Art,” Smith College Alumni Magazine, spring
Linda Muehlig, Undomesticated Interiors, catalog, Smith College Museum of Art
Megan Rooney, “Taking Art Sitting Down,” The Chronicle of Higher Education, April 18
Christina Tree, “Culture Corner,” The Boston Globe, April 20
Katherine Bowers, “The Art of Toiletry,” Women’s Wear Daily, April 22
Grace Gleck, “In New Museum, Smith Puts its Best Forward,” The New York Times, May 16
Robert Campbell, “Catching the Drift” review, The Boston Globe, August 24
Carole Calo, Public Art Review, fall
Joni Hullinghorst, “Smith’s Museum is Reborn,” The Keene Sentinel, October 3 |
2002 |
“Collecting Experience, Sculpture, October
Nancy Princenthal, “A Creative Legacy: A History of the NEA Visual Artists’ Fellowship Program” |
2001 |
Ewa Lajer-Burcharth, “Becoming” publication for From Ear to There |
2000 |
Janet Koplos, “Ellen Driscoll’s Passages” review for As Above, So Below, Art in America, June
“Hub’s Necklace, Olmstead’s Oz” editorial, The Boston Globe, July 3
Christine Temin, “Art on the Emerald Necklace” review of Vita Brevis, The Boston Globe, July 7
Ann Wilson Lloyd, “Art on the Emerald Necklace” review, The New York Times, August 6
Nancy Silverman, “Fantastic Journey” review for As Above, So Below, Public Art Review, fall
Patricia Phillips, “The Proportions of Paradox,” Sculpture, November |
1999 |
Christine Temin, review, The Boston Globe, January 20
"The Loophole of Retreat" review, The Post-Star, February 4
Kathleen Monaghan, Fugitive, catalog for The Loophole of Retreat
Barbara Rodriguez, Autobiographical Inscription, Form, Personhood and the American Woman Writer of
Color, Oxford University Press, The Loophole of Retreat chapter
Barbara Rodriguez, The American Slave Narrative: Slavery and the Persistence of Form, University of
Wisconsin Press, The Loophole of Retreat chapter
Joyce Wadler, “An Artist Lights a Little Known Tunnel,” The New York Times, December 3 |
1998 |
Charles Hagen, Paraphotography, catalog
Jane Ingram Allen, "Inspiration and Renewal: Residencies for Sculptors," Sculpture, February
Laura Yuen, "Ahab's Wife," The Boston Globe, July 29
"Bridging the Divided Mind" review of Mum's the Word, The Boston Globe, August 26
Ken Johnson, "Ahab's Wife" review, The New York Times, August 28
Mike Fressole, "Ahab's Wife," Staten Island Advance, September 13
Richard Ryan, "Ahab's Wife, or the Whale" review, Staten Island Advance, September 18
Jennifer Dunning, "Ahab's Wife, or the Whale" review, The New York Times, September 22
Deborah Jowitt, "Ahab's Wife, or the Whale" review, The Village Voice, September 23
"Ahab's Wife," Puppetry International, fall, cover and review |
1997 |
"Spaces and Forms" review, The Baltimore Sun, January 29
"Ahab's Wife: Drawings and Models" review, Ann Arbor News, February 15
"Spaces and Forms" review, City Paper, February 26
New Digital Media conference, Wesleyan University Alumni Magazine, spring, article and cover
"Surreal 'Ahab's Wife' Plays Whaling Museum," Providence Journal, July 23
"LifeLines" review, The New York Times, December 7 |
1996 |
Eleanor Heartney, essay in Passionate Attitudes brochure, Real Art Ways, Hartford, CT
"Close to Home" review, The New York Times, October 20
Equal Rights and Justice catalog, Center for African American History and Culture, Smithsonian Institute,
Wash., DC |
1995 |
William Zimmer, "Parsing the Feminine with a Hank of Hair and a Poet's Touch" review of Passionate
Attitudes, The New York Times, January 1
Charlotte Rubinstein, In Three Dimensions: Women Sculptors in the 90s, catalog
Louinn Lota, "Equal Rights and Justice," High Performance, winter
Ruth Latter, "Installing a Medium to Deeper Appreciation" review of University of Virginia exhibition, The
Daily Progress, April 20
Nancy Princenthal, "Passionate Attitudes" review, Art in America, June
Review of Fine Arts Work Center exhibition curated by Ann Wilson Lloyd, Cape Cod Times, October 27 |
1994 |
Cathy Fox, "Equal Rights and Justice" review, The Atlanta Journal-Constitution, May 24
William Grimes, "Public Art for Public Places is Raising the Sights of Commuters," The New York Times,
August 22
Jude Schwendenwien, "Passionate Attitudes," The Hartford Courant, December 18
Patricia Rosoff, "Passionate Attitudes" review, The Hartford Advocate, December 22 |
| 1993 |
Fredereike Taylor, 55 Ferris Street, catalog
Wade Saunders, "Making Art, Making Artists," Art in America, January
Christine Temin, review of exhibition at Massachusetts College of Art, The Boston Globe, February
Joanne Silver, review of Massachusetts College of Art exhibition, Boston Herald, February 4
Cate McQuaid, review of exhibition at Massachusetts College of Art, The Boston Phoenix, February 19
Carol Calo, review of exhibition at Massachusetts College of Art, Art New England, June/July |
| 1992 |
Kay Larson, “Loophole” review, New York Magazine, January 13
Voice Choices, The Village Voice, January 14
“Goings on About Town/Art,” The New Yorker, February 10
Black Arts New York, Visual Arts, February
Ann Berk, “European Ceramics Work Center Project Exhibition” review, Kunstbeeld, March
George Melrod, “Loophole of Retreat” review, Art in America, June
Owen Findsen “Migration” and “Loophole” reviews, The Cincinnati Enquirer, June 7
Susan Stoops, Insight on Site, catalog of “The Loophole of Retreat” installation at The Rose Art Museum,
Brandeis University, Waltham, MA |
| 1991 |
Nancy Stapen, “Brandeis Exhibit Shows Installation’s Vitality” review of Loophole, The Boston Globe, Oct. 6
C. Hagen, “When the Outside World is Danger” review of Loophole installation The New York Times,
December 27
Thelma Golden, The Loophole of Retreat, catalog, Whitney Museum of American Art at Phillip Morris, New
York, NY |
| 1991 |
Eleanor Heartney, “Means to Ends” review, ArtNews, January |
| 1990 |
Robert Taylor, “Sculpture at DeCordova Explores Edge of the 90’s,” The Boston Sunday Globe, January 7
Nancy Stapen, “What Do You Do After Minimalism?,” Boston Herald, January 12
Marc Mannheimer, review, Art New England, February
Ann Bertelson, “Site Specific,” Northern California Home and Garden, March
Michael Brenson, The New York Times, May 5
Sally Heller, Contemporanea, September
George Melrod, Sculpture, September/October
Nancy Stapen, “Brandeis Exhibit Shows Installation’s Vitality” review of Loophole, The Boston Globe, Oct. 6
Boston Globe, review, October 27
Eleanor Heartney, ArtNews, October |
| 1989 |
Marsha Miro, “Eye on Art,” Detroit Free Press
“Ancient Explorations” review at Met Life Gallery, Daily News, June
Elizabeth Wilcox, “Commissions,” Sculpture, September/October
Joy Hakanson Colby, review, Detroit New, November 24
Christine Temin, “Totem Exhibit Digs Deep Into Culture,” The Boston Globe, December 4 |
| 1988 |
John Dorsey, “Pessimism Pervades Exhibit,” The Baltimore Sun, January 8
Kenneth Baker, San Francisco Chronicle, May 7
Andy Grundberg, “The Artists of Summer,” The New York Times, Arts and Leisure section, July 3
J.W. Cullum, “Strike; Coyne, Fasnacht, Driscoll, Hepper,” ArtPapers, July/August
John Sturman, review, ArtNews, September
Vivien Rayner, “Photos and Sculpture at the Aldrich,” The New York Times, November 27
Jennifer Heath, review, Rocky Mountain News, December 2
Martha B. Scott, Innovations In Sculpture, brochure/catalog, Aldrich Museum of Contemp Art, Ridgefield, CT
Judith Page, Strike, catalog, Valencia College, Orlando, FL
Lasse Antonsen, Nomadic Visions, catalog, Southeastern Massachusetts University, North Dartmouth, MA
Theresa Bramlin, P.S.1 National and International Studio Program, catalog |
| 1987 |
Stephan Westfall, “New York Reviews,” Art in America, March
John Sturman, “Studio,” ArtNews, May
“New Faces for the New Season,” The New York Times Magazine, August
Sven Birkerts, review, Art New England, summer
Karen Ott, P.S.1 National and International Studio Program, catalog |
| 1986 |
John Yau, A Contemporary View of Nature, catalog, Aldrich Museum of Contemporary Art, Ridgefield, CT |
| 1985 |
Lois Tarlow, “Alternative Space,” Art New England, May |
| 1984 |
April Kingsley, The Ways of Wood, catalog, The Sculpture Center, New York |
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