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The night sky has fascinated human
beings for centuries. Studded by golden stars arranged in the shapes
of the constellations, the ceiling in the Main Concourse at Grand
Central Terminal is one of the most beautiful examples of this abiding
fascination. Watched over by Mercury, the Roman god of communication
and travel, Grand Central Terminal becomes a metaphor for our connection
with the wider world beyond New York City--a connection that extends
to the very stars themselves.
Located in Grand Central Terminal North,
the mosaic, bronze, and glass reliefs in Ellen Driscoll' As Above,
So Below pay homage to the heritage of the Main Concourse by
taking the viewer on a round-the-world journey to the night sky
above five different continents. The work's tableaus recount myths
of the continents and their civilizations, the heavens, and the
underworld. Looked at one by one, these scenes bring to life ancient
tales of the birth of the world, the sun's daily transit, the stars
in their courses, and the fates and fortunes of mortals and deities.
Viewed as a whole, As Above, So Below suggests how the stories
we tell about the heavens mirror the way we live on earth.
While these stories span continents, cultures,
and different historical epochs, the work's 13 major panels and
associated wall reliefs also reflect our time. Look closely at any
of the figures, and you'll see a face like the faces of the travelers
around you. Indeed, the people in these mosaics are ordinary Americans
from many different backgrounds--but through manipulated digital
and photographic technology, they take on the attributes of mythical
deities and figures. Similarly, the materials--glass tiles, patinated
bronze, and glass mosaic---impart the feeling of age, but have been
arranged in a way that is thoroughly contemporary.
As Above, So Below summons the everlasting
and the ephemeral, illuminates the transcendent and the everyday,
and reminds us of our spiritual and worldly past as we hurry to
and from our trains.
Commissioned by MTA Arts For Transit and Metro-North Railroad.
Artwork fabricated by; Franz Mayer of Munich, Julie Nathanson, Architectural
Glass, and the Paul King Foundry.
Photography by Mike Kamber.
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